NOVA
  • HOME
  • About
  • Artists
    • Angie Maddigan
    • Beverley Scott
    • Chris Sharpe
    • Desmond Clover
    • Emma Verity
    • Jeanne-Marie Persaud
    • John Rance
    • Lesley Ash
    • Leslie Hawkes Nockels
    • Liz James
    • Maggie Simmons
    • Margaret Studley
    • Rainie Kay
    • Sam Robbins
    • Shane
    • Susanne Lakin
    • Susan Purser Hope
    • Tony Keeler
  • NEWS / EVENTS
    • 2019
    • 2018
    • 2017
    • 2016
    • 2015
  • Contact / Membership
Angie Maddigan
Desmond Clover
Jeanne-Marie Persaud
Leslie Hawkes Nockels
Shane
Tony Keeler
Liz James
Beverley Scott
Margaret Studley
Rainie Kay
Susanne Lakin
John Rance
Sam Robbins
Emma Verity
Susan Purser Hope​
​Chris Sharpe
​Maggie Simmons
Lesley Ash

Beverley Scott

Always inspiring, the sights and the sounds of nature. 

Why a painting?

The flat canvas, with its basic self evident flatness, becomes a magic gateway into a world full of spatial reference - infinity behind the picture plane, on the surface plane and literally in the front.

The priority to colour is always the same - to create a relationship of values, hues and tones which relate to the relevant picture plane with little or no use of perspective devices.​

To compose a painting that echoes the sounds of a silent orchestra.  An orchestration of an intense range of visual sounds into a concerto.

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  • HOME
  • About
  • Artists
    • Angie Maddigan
    • Beverley Scott
    • Chris Sharpe
    • Desmond Clover
    • Emma Verity
    • Jeanne-Marie Persaud
    • John Rance
    • Lesley Ash
    • Leslie Hawkes Nockels
    • Liz James
    • Maggie Simmons
    • Margaret Studley
    • Rainie Kay
    • Sam Robbins
    • Shane
    • Susanne Lakin
    • Susan Purser Hope
    • Tony Keeler
  • NEWS / EVENTS
    • 2019
    • 2018
    • 2017
    • 2016
    • 2015
  • Contact / Membership